TY  - BOOK
AU  - Jacobs, Joela
TI  - Animal Narratology
KW  - animal narrators||anthropocentrism||cultural ontologies||discourse analysis||fiction–nonfiction distinction||framing and footing||life writing||narratology||politeness||self-narratives||animal studies||human-animal studies||speaking animals||Tolstoy||Bulgakov||trauma theory||Russian literature||allegory||humanism||literary theory||film studies||George Orwell||Animal Farm||Chicken Run||Uwe Timm||‘Morenga’||African history||colonialism||postcolonial German literature||animal narratology||multi-perspective narration||animal agency||The Plague Dogs||Richard Adams||unreliability||talking animal stories||non-human focalizer||Pincher Martin||non-human narrators||intradiegetic narration||Gerard Genette||anthropomorphism||Eric Linklater||The Wind on the Moon||direct speech||characterization||posthumanism||inter-species comprehension||Hindi cinema||Bollywood||animal narrator||world literature||empathy||Cartesian dualism||Maurice Merleau-Ponty||animal poetry||‘Inventing a Horse||‘Spermaceti’||eco-humanities||eco-criticism||eco-philosophy||Industrial Farm Animal Production||narrative||plot||conflict||environmental crisis||catastrophe||play theory||Franz Kafka||manuscripts||speaking-for||narrative representation||literary representation||animal autobiography||fictional autobiography||meta-autobiography||contextualist narratology||cultural and literary animal studies||poetics of knowledge||zoology||natural history||equine autozoography||horse-science||narrative voice||inoperativity||singing mice||zoopoetics||anthropological machine||community||music||Cervantes||Novelas ejemplares||El coloquio de los perros||Novela del casamiento engañoso||Siglo de Oro||Early Modern Age||cynicism||Diogenes of Sinope||Montaigne||Derrida||Animal Studies||rhetoric||animal narration||fable||Aesopic fables||Greek fable||antagonistic fables||comics||animals||cinema||sound effects||science fiction||Achilles||Archilochus||fox||Gryllus||Hesiod||Homer||Lucian||pig||Plutarch||Pythagoras||rooster||Xanthus||talking dogs||agency||animal||dystopia||Marie Darrieussecq||human||non-human||Truismes||Kafka studies||adaptation studies||intertextuality||intermediality||mimesis||emulation||imitation||repetition||parody||autobiography||genre||entanglement||Cixous||dogs||earth||worldviews||indigenous wisdom traditions||relationality||ecology||language||more-than-human geography||multispecies ethnography||ecopsychology||anthropology||environmental philosophy||decolonization||intuition||instinct||myth||non-verbal communication||IK||TEK||animality||film||White God||filmic representation of animals||material ecocriticism||Moby-Dick||Werner Herzog||Hans Sahl||lyric poetry||mole||space||time||species||metamorphosis||transformation||exile||n/a
UR  - https://mdpi.com/books/pdfview/book/3225
ER  -