Pigments and Dyes in Archaeological and Historical Objects—Scientific Analyses and Conservation Challenges


English[eng]

9783040000000


Late Cycladic I||brominated indigoids||Muricidae||murex||purpurissum||true purple||microRaman||FTIR||HPLC–DAD||weld lake pigments||yellow lakes||luteolin||19th century||Winsor &||Newton||conservation||Liu Kang||SEM-EDS||MA-XRF||IRFC||X-RAY||RTI||hidden paintings||pigments||synthetic organic pigments||royal talens||handheld raman spectroscopy||microraman spectroscopy||modern artist oil paint||urolithin C||brazilein||brazilwood marker component||historical textile||alteration||cadmium orange||chlorine||selenium||terracotta||maize stem||New Spain||computerized tomography||Raman||SEM-EDX||Mexican sculpture||polychrome sculpture||Maria Sibylla Merian||colored prints||hyperspectral imaging||X-ray fluorescence spectroscopy||photometric stereo||Prussian blue||non-invasive pigment characterization||textiles||dyes||Peru||ambient ionization mass spectrometry||DART-MS||paper spray MS||HPLC||non-invasive techniques||FORS||XRF||illuminated manuscripts||brazilwood||colourants||Antoine de Lonhy||Torino||reflectance spectroscopy||SERS||synthetic dyes||Tholu Bommalata||puppets||pigment identification||Raman spectroscopy||scanning electron microscopy-energy dispersive spectroscopy||microstratigraphic analysis||Viking Age||dyestuff||HPLC-DAD-MS||aragonite||Brunswick green||clinochlore||mortars||ultramarine yellow||vermilion||wall paintings||XRD||Henri Matisse||cut-outs||gouache||Pigment identification||light sensitivity||X-ray fluorescence spectroscopy (XRF)||Fourier transform infrared spectroscopy (FTIR)||microfaedometry (MFT)||n/a