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221.
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Knowing in Performing Artistic Research in Music and the Performing Arts by
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222.
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Music: Its Theologies and Spiritualities A Global Perspective by
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223.
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Soundings documentary film and the listening experience by
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224.
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The Anglo-Scottish Ballad and its Imaginary Contexts by
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225.
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Contemporary Carioca Technologies of Mixing in a Brazilian Music Scene by
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226.
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Chapter 24 Ethics in audience research By the book or on the hop? by
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227.
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The Politics of Diversity in Music Education by
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228.
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Sounds in translation Intersections of music, technology and society by
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229.
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The Popular and the Sacred in Music by
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230.
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Sound and Music Computing by
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231.
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“My Soul Is A Witness” Reimagining African American Women’s Spirituality and the Black Female Body in African American Literature by
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232.
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The Artistry of Bheki Mseleku by
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233.
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Railways & Music by
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234.
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The Origins of Western Notation Revised and Translated by Neil Moran by
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235.
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Thoughtrave: An Interdimensional Conversation with Lady Gaga by
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236.
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Versification Metrics in Practice by
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237.
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Contemporary Nostalgia by
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238.
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Good Vibrations Brian Wilson and the Beach Boys in Critical Perspective by
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239.
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New Perspectives on Nationalism in Spain by
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240.
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China and the West Music, Representation, and Reception by
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