| 000 | 01206nam a2200133Ia 4500 | ||
|---|---|---|---|
| 008 | 220620s9999||||xx |||||||||||||| ||und|| | ||
| 020 | _a9783040000000 | ||
| 245 | 0 | _aDevelopments in the Japanese Documentary Mode | |
| 546 | _aEnglish[eng] | ||
| 650 | _aethnofiction||Japan||documentary||non-fiction||dramatization||Minamata disease||Tsuchimoto Noriaki||W. Eugene Smith||Ishimure Michiko||ethics of representation||The Children of Minamata are Living||Minamata: The Victims and Their World||authorship||documentary film||hibakusha||Japanese cinema||Mizoguchi Kenji||semi-documentary||ShindÅ Kaneto||film theory||documentary film theory||postwar Japan||post-1945 Japan||Hani Susumu||cinéma verité||direct cinema||observational documentary||cinematography||the culture film||Imamura ShÅhei||History of Post-War Japan as Told by a Bar Hostess||fiction and documentary||history||memory||experience||magic lantern||popular history movement||avant-garde documentary||new Left||Teshigahara Hiroshi||Adachi Masao||subjectivity||landscapes||folklore studies||documentary photography||n/a | ||
| 700 | _aCenteno, Marcos||Raine, Michael | ||
| 856 | _uhttps://mdpi.com/books/pdfview/book/3845 | ||
| 942 | _cEB | ||
| 999 |
_c33702 _d33702 |
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